This video is pretty old now (2 years), but still a really great example of using Trapcode Partciular. The slow moving rain was added. Text from the vimeo page:

"Second and final slow motion test...It was filmed months ago. Editing is rough because I don't have time to work on details.

Edited with Twixtor in After Effects.
Rain was made with Trapcode Particular 2 in AE
Lens used: Canon EFS 18-135 mm
Shutter speed: unknown

Music: "Seagull"
Composer: Niklas Aman, STIM
Publisher: Brusbox Music STIM

Check out Niklas' awesome music:
niklasaman.com/music "

The rain here is very well made. It is somewhat remeniscent of Pierre MICHEL's work in POLAR. Here is a tutorial for that. DOF is what really sells it.

Short version of a demo I did as part of the talk last week.

uses openFrameworks and Theo Watson's ofxLeapMotion

*** FAUX IMAGES IX - The Generative Edition ***
RAINER KOHLBERGER (BER) - ONFORMATIVE (BER) - PEDER NORRBY / TRAPCODE (STCKHLM)

Here is the event: https://www.facebook.com/events/413937498697744/

POTEMKIN notes: 
"This low poly semi-epic child hood tribute space saga called EXODUS was born when Peder Norrby asked us to make a short film using Trapcode MIR. We accepted the challenge, made up a multi part narrative and went to work, letting the plugin affect both our creative, narrative and technical results.

This is the first part of a space epic, establishing the protagonists and a fragment of the universe as well as the timeline in which EXODUS takes place."

Music and visuals by Magnus Östergren
Production management by Thomas Oger
Produced by POTEMKIN
Commissioned by TRAPCODE

More info on EXODUS and image gallery

More info on Trapcode Mir

Jean-Marie notes: "I've recently directed a music video for indie Spanish band La Casa Azul (Elefant Records), in which Particular and Form were used for various VFX shots :

Trailer for the short film EXODUS premiering in January 2013

Made by Magnus Östergren / POTEMKIN

Commissioned by Trapcode

In this Red Giant short film, from the creators of Plot Device, a scientist must prevent a new, powerful technology from falling into the wrong hands.

VFX Breakdowns:

Trapcode has commissioned an animated short film to director/designer Magnus Östergren at Potemkin: www.potemkin.se. The film is to be based on the Trapcode Mir plug-in. This new plug-in provides the artist with a polygon mesh that can be displaced with a fractal and shaded in a number of different ways. The plug-in tries to encourage playing and has a very open-ended functionality, no specific problem was set out to be solved, but rather new problems and solutions are thought to be conceived with it.

Östergren says "The film is set in space in an alternate universe. Logic and photorealism are low priority but cool scenery and glows rule supreme". Magnus, who also creates the soundtrack for the film, continues "I like the concept of 'art by accident', just letting stuff evolve, like in my music production. In Trapcode Mir I found a great tool for this method."

The film has the look of low-poly/abstract with sci-fi/fantasy elements and is set to premiere in January 2013 on the Trapcode website: www.trapcode.com.

Eight new features including motion vector support (at particle birth time), Lights Unique Seeds and Particle Amount slider. Part of Trapcode Suite 12.1. Read more and get the download here.

Check Particle Man - using Twixtor Pro motion vectors in Particular 2.2

Awesome new five-part training Getting Started with Trapcode Particular by Harry Frank.